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Mackie 1202VLZ4 12-Channel Compact Mixer

 

The Mackie 1202VLZ4 12-Channel Compact Mixer features high-quality Onyx preamps in a compact mixer design with the high-headroom / low-noise performance your professional applications demand.

PRODUCT HIGHLIGHTS

  • For Sound Reinforcement Applications
  • 4x Onyx Preamps
  • 3-Band EQ
  • 48V Phantom Power
  • Low Noise, High Headroom
  • Solid Steel Chassis
  • Multi-Voltage Power Supply
Lease to Own at
est. $18 /week*
Availability: Out of stock
SKU
1202-VLZ4

The Mackie 1202VLZ4 12-Channel Compact Mixer features high-quality Onyx preamps in a compact mixer design with the high-headroom / low-noise performance your professional applications demand.

The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like a dedicated control room section, it offers a step up in flexibility and performance that is suitable for your professional applications.

12-Channel mixer featuring signature high-headroom, low-noise design
4 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz)
Improved RF rejection, suitable for broadcast applications
Phantom power for condenser microphones
12 High-headroom line inputs
3-Band EQ (80 Hz, 2.5 kHz, 12 kHz)
18 dB/octave, 75 Hz low-cut filter on microphone input channels
AUX send, level, pan, and PFL solo on each channel
Stereo return for connecting FX processor or other stereo source
ALT 3/4 stereo bus for added routing flexibility
Control room / phones source matrix
High-resolution 12-segment stereo meters
Sealed rotary controls resist dust and grime
Built-like-a-tank rugged steel chassis with powder-coat finish
High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
Rack-mountable design using a rack ear kit (sold separately)

Applications:
Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many more

NoiseMain Mix Noise:
Main Mix Knob Down, Channel Gain Knobs Down: -100 dBu
Main Mix Knob @ Unity, Channel Gain Knobs Down: -86.5 dBu (90 dB signal to noise ratio, ref +4 dBu) 
Main Mix Knob @ Unity, Channel Gain Knobs @ Unity: -84.5 dBu
(20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1 to 4, gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1 and 3 panned left, 2 and 4 panned right)
Total Harmonic Distortion (THD)Microphone Pre @ Insert: <0.0007%
(1 kHz @ 30 dB gain, 20 Hz to 20 kHz bandwidth)
Crosstalk / AttenuationMain Mix Knob Down: -75 dBu
Channel Alt / Mute Switch Engaged: -85 dBu
Channel Gain Knob Down: -87 dBu
(1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity)
Frequency ResponseMicrophone Input to Main Output (Gain @ Unity): 
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone input to insert send out, maximum gain
Common Mode Rejection RatioBetter than -70 dB @ 1 kHz
Maximum LevelMicrophone In: +22 dBu
Tape In: +16 dBu
All Other Inputs: +22 dBu
Main Mix XLR Out: +28 dBu
All Other Outputs: +22 dBu
ImpedanceMicrophone In: 2.5 kΩ
Channel Insert Return: 2.5 kΩ
All Other Inputs: 10 kΩ or greater
Tape Out: 1.1 kΩ
All Other Outputs: 120 Ω
EqualizerHigh Shelving: ±15 dB @ 12 kHz
Mid Peaking: ±15 dB @ 2.5 kHz
Low Shelving: ±15 dB @ 80 Hz
Power Consumption25 W, 100 to 120 VAC, 50 to 60 Hz
Operating Temperature32 to 104°F (0 to 40°C)
Fuse Rating100 to 120 V: 500 mA slo blo, 5 x 20 mm
220 to 240 V: 250 mA slo blo, 5 x 20 mm
Dimensions (H x W x D)10.7 x 11.9 x 3.0" (273.0 x 303.0 x 75.0 mm)
Weight6.5 lb (3.0 kg)
Packaging Info
Package Weight10.6 lb
Box Dimensions (LxWxH)14.0 x 13.4 x 6.1"
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