Mackie 1202VLZ4 12-Channel Compact Mixer
The Mackie 1202VLZ4 12-Channel Compact Mixer features high-quality Onyx preamps in a compact mixer design with the high-headroom / low-noise performance your professional applications demand.
PRODUCT HIGHLIGHTS
- For Sound Reinforcement Applications
- 4x Onyx Preamps
- 3-Band EQ
- 48V Phantom Power
- Low Noise, High Headroom
- Solid Steel Chassis
- Multi-Voltage Power Supply
The Mackie 1202VLZ4 12-Channel Compact Mixer features high-quality Onyx preamps in a compact mixer design with the high-headroom / low-noise performance your professional applications demand.
The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like a dedicated control room section, it offers a step up in flexibility and performance that is suitable for your professional applications.
- 12-Channel mixer featuring signature high-headroom, low-noise design
- 4 Boutique-Quality Onyx Microphone Preamps:
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz)
- Improved RF rejection, suitable for broadcast applications
- Phantom power for condenser microphones
- 12 High-headroom line inputs
- 3-Band EQ (80 Hz, 2.5 kHz, 12 kHz)
- 18 dB/octave, 75 Hz low-cut filter on microphone input channels
- AUX send, level, pan, and PFL solo on each channel
- Stereo return for connecting FX processor or other stereo source
- ALT 3/4 stereo bus for added routing flexibility
- Control room / phones source matrix
- High-resolution 12-segment stereo meters
- Sealed rotary controls resist dust and grime
- Built-like-a-tank rugged steel chassis with powder-coat finish
- High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback
- Rack-mountable design using a rack ear kit (sold separately)
Applications:
Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applications, broadcast, and many moreNoise Main Mix Noise:
Main Mix Knob Down, Channel Gain Knobs Down: -100 dBu
Main Mix Knob @ Unity, Channel Gain Knobs Down: -86.5 dBu (90 dB signal to noise ratio, ref +4 dBu)
Main Mix Knob @ Unity, Channel Gain Knobs @ Unity: -84.5 dBu
(20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1 to 4, gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1 and 3 panned left, 2 and 4 panned right)Total Harmonic Distortion (THD) Microphone Pre @ Insert: <0.0007%
(1 kHz @ 30 dB gain, 20 Hz to 20 kHz bandwidth)Crosstalk / Attenuation Main Mix Knob Down: -75 dBu
Channel Alt / Mute Switch Engaged: -85 dBu
Channel Gain Knob Down: -87 dBu
(1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity)Frequency Response Microphone Input to Main Output (Gain @ Unity):
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHzEquivalent Input Noise 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone input to insert send out, maximum gainCommon Mode Rejection Ratio Better than -70 dB @ 1 kHz Maximum Level Microphone In: +22 dBu
Tape In: +16 dBu
All Other Inputs: +22 dBu
Main Mix XLR Out: +28 dBu
All Other Outputs: +22 dBuImpedance Microphone In: 2.5 kΩ
Channel Insert Return: 2.5 kΩ
All Other Inputs: 10 kΩ or greater
Tape Out: 1.1 kΩ
All Other Outputs: 120 ΩEqualizer More Information More Information Manufacturer Mackie Write Your Own Review